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Hello Nicole. |
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Hello Paris.
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So tell me about your new movie.
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Well, it's a bit of a Bergmanesque homage
that moves gradually towards a symbolic tribute
to Fellini and Kurosawa.
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Oh that's so hot, to coin a phrase.
My film is more reminiscent of 1950's
Hungarian director Zoltan Fabri with a
hint of some early Milos Forman thrown in.
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I was unsure whether to
lend my role an Ophelian dimension or to imbue it
with a Desdemona-type approach. What about you?
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Oh, Nicole, don't be silly. You know what
traditional Bernhardtian I am at heart.
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And to think that some people say modern cinema can't go any lower.
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What utter nonsense.
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